You have to overlook some irritating colour-blind casting but Crystal Clarke (young American Miss Worsley) is a sweet stage presence.The show totters towards four-star territory thanks to Miss Reid’s dotty, slighty dipso Lady Hunstanton.Her decision to scatter her son’s ashes on the lawn upsets his grieving fiancee (Vinette Robinson).
It gives us lines such as ‘twenty years of romance makes a woman look like a ruin; twenty years of marriage make her something like a public building’; and then there’s that one about the tragedy of all women, and no men, being that they turn into their mothers. But under the brittle bon-mots director Dominic Dromgoole finds a touching vulnerability.
This show subtly tickles up Oscar for the 21st century, giving us an idea not so much of women’s nascent political rights as the emergence of a more democratic approach to love.
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Was he trying to echo Chekhov or was he succumbing to anti-Brexit wish-fulfillment?